Department of Islamic Art at the Metropolitan Museum of Art Curator
QAIC's Museum Series Webinar Panels bring together museum experts and curators from Qatar and the Us to highlight and discuss their corresponding collections and the factors that bear upon them. The distinguished speakers will present and discuss the curation, evolution, and history of each museums' collection and the various factors and challenges facing them.
Audiences will get a unique insider'south await into various museum'southward curatorial process, the history of the collections and the differing approaches museums in the Due west versus the East take to acquire and successfully exhibit them. QAIC's first Museum Series console " The Curation and Influence of Islamic Art in Museums Today," will take identify on Apr sixth at 11 am EST, focusing on the Islamic Art collections from the Los Angeles County Museum of Fine art (LACMA), The Metropolitan Museum of Art in NYC, the Freer Gallery of Fine art and Arthur M. Sackler Gallery of the Smithsonian, The Museum of Fine Arts, Houston, and The Museum of Islamic Art in Doha, Qatar.
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Speakers:
Dr. Aimée Froom, Curator of Art of the Islamic Worlds – Museum of Fine Arts, Houston
Dr. Aimée Froom is curator, Art of the Islamic Worlds and co-Director, Earth Faiths Initiative, at the Museum of Fine Arts, Houston. Formerly Hagop Kevorkian Associate Curator of Islamic Art, Brooklyn Museum, Dr. Froom has 25 years of international curatorial and education experience. She earned a BA from Brownish University; an MA from the Academy of Massachusetts Amherst; and a Ph.D. from the Establish of Fine Arts, New York University. Her near recent book publications include Arts of Islamic Lands: Selections from The al-Sabah Collection, State of kuwait (MFAH, 2016), The Legacy of Persian Fine art (MFAH, 2017), and Bestowing Dazzler: Masterpieces from Persian Lands – Selections from the Hossein Afshar Collection (Yale University Press, 2019), which won 2 volume awards. Dr. Froom is a 2020 Swain at the Middle for Curatorial Leadership.
Dr. Julia Gonnella, Manager of the Museum of Islamic Fine art – Museum of Islamic Fine art, Doha
Dr. Julia Gonnella was the former curator of Berlin'south Museum of Islamic Art prior to becoming the Managing director of the Museum of Islamic Art (MIA) in Doha in 2017. Afterward receiving her Ph.D. in Islamic studies and social anthropology at Eberhard-Karls-Universität, Gonnella joined the Museum of Islamic Fine art in Berlin in 1994 as the banana to the master curator. She became a curator at the museum in 2009 and was afterwards appointed to her current position as director of the Museum of Islamic Art in Doha.
Gonnella has done fieldwork on High german excavations in Raqqa, Syria, and coordinated the Syrian-German language excavations of Aleppo's Islamic citadel. Her books include The Citadel of Aleppo (2007). She was a curatorial commutation fellow at the Met in 2013.
Dr. Linda Komaroff, Curator of Islamic Art and Department Caput of Art of the Middle East – Los Angeles County Museum of Art (LACMA)
Dr. Linda Komaroff is Curator of Islamic Art and Department Head, Art of the Middle East, at the Los Angeles County Museum of Art. During her tenure at LACMA, she has been actively involved with building the collection through the conquering of the Madina Drove of Islamic Fine art in 2002, while in 2006 she began to acquire and exhibit contemporary art of the Middle E. In 2014, she led the effort to learn and conserve an 18th-century Damascus Room. Her past exhibitions of historical Islamic fine art include The Legacy of Genghis Khan: Courtly Art and Culture in Western asia, 1256–1353 (2003) and Gifts of the Sultan: The Arts of Giving at the Islamic Courts (2011). Among her contemporary exhibitions is Islamic Fine art At present: Contemporary Art of the Middle East (2015-2016), and combining historical and contemporary art In the Fields of Empty Days: The Intersection of Past and Present in Iranian Art, 2018.
Currently, she is working on two shows for LACMA for 2023: Dining with the Sultan: The Fine Fine art of Feasting and Woman Defining in Contemporary Art of the Middle East. She is the author or editor of several books and exhibition catalogs and has written numerous articles and volume capacity on various aspects of Islamic art also every bit contemporary Heart Due east art. She is the recipient of a number of grants for scholarly enquiry, including ii Fulbright fellowships, and Metropolitan Museum of Art and Getty fellowships, while the Legacy of Genghis Khan exhibition catalog received the Alfred H. Barr, Jr. Accolade from the College Art Association and Gifts of the Sultan received the Annual Publication Prize for Outstanding Exhibition Catalogue from the Association of Art Museum Curators. She has taught at UCLA, Hamilton Higher, New York University, and most recently Arizona Land University.
Dr. Massumeh Farhad, Primary Curator and The Ebrahimi Family Curator of Persian, Arab, and Turkish Fine art – Freer Gallery of Art and Arthur M. Sackler Gallery
Dr. Massumeh Farhad joined the Freer Gallery of Fine art and Arthur G. Sackler Gallery, the Smithsonian'southward National Museum of Asian Art, in 1995 every bit associate curator of Islamic Art. In 2004, she was appointed chief curator and curator of Islamic art.
She is a specialist in the arts of the book from sixteenth-century and seventeenth-century Iran. Dr. Farhad has curated numerous exhibitions on the arts of the Islamic globe at the Freer and Sackler, including Art of the Persian Courts(1996), Fountains of Light: The Nuhad Es-Said Collection of Metalwork(2000), Style and Status: Royal Costumes from Ottoman Turkey (2005-6), The Tsars and the Eastward: Gifts from Turkey and Islamic republic of iran in the Moscow Kremlin (2009), Falnama: The Book of Omens (2009-ten), Roads of Arabia: History and Archæology of the Kingdom of Saudi arabia (2012), and The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts (2016).
She received her Ph.D. in Islamic Art History from Harvard University in 1987. Her publications include Slaves of the Shah: New Elites in Safavid Iran (2004), Falnama: The Book of Omens (2009), The Art of the Qur'an: Treasures from the Museum of Turkish and Islamic Arts(2016), and A Collector's Passion: Ezzat-Malek Soudavar and Farsi Lacquer (2017).
Dr. Navina Najat Haidar, Nasser Sabah al-Ahmad al-Sabah Curator in Charge of the Department of Islamic Fine art – The Metropolitan Museum of Art (The Met)
Dr. Navina Najat Haidar presently serves as Nasser Sabah al-Ahmad al-Sabah Curator in Accuse of Islamic Art at the Metropolitan Museum of Art.
At the Met, she has curated a number of special exhibitions, including Sultans of Deccan India, 1500-1700, Opulence and Fantasy (2015); Treasures from India; Jewels from the Al-Thani Collection (2014); and Divine Pleasures: Rajput Painting from the Kronos Collection (2016). She lectures on Islamic and Indian art and likewise publishes regularly in scholarly journals, as well equally in the full general press.
Navina has taught equally part of a curatorial studies plan and supervises Fellows and students, both officially and as an informal mentor. Navina is planning a hereafter exhibition on the Jahangir period and is concurrently working on a book on Mughal architecture. She is also involved in several independent educational, conservation, and creative initiatives in the Middle Due east and India.
Source: https://qataramerica.org/event/museum-series-the-curation-and-influence-of-islamic-art-in-museums-today/
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